auch weiße ltd. edition stellt der reloop rmp-1 scratch die klügste lösung für turtablism-cdjs dar. das schwarze, zweiteilige scratch- und search wheel wird vomn von einem lackierten, keramikweißen chassis umrahmt. durch das helle gehäuse sind alle sekundären bedienelemente noch besser abgesetzt. umfangreiche mixing-optionen kombiniert der rmp-1 scratch mit einem eingängigen scratchsimulator - alles, was man als cdj wirklich braucht.features: mp3-fähiger einzelfrontloader-cd-player, berührungsempfindliches 2-teiliges jog dial, high end-scratch simulator mit return-to-cue-funktion, automatischer und manueller bpm counter, 4 unabhängige 5-sekunden sample-bänke (pitchbar), 4 unabhängige cuepunkt-bänke, id3-tag unterstützung & cd-text, track- und folder-search, extrahelles dot matrix vfd-display für alle funktionen, extralanger pitchfader (abschaltbar), pitchbereich +/- 4/8/16/100% (mit master tempo), pitch bend bis +/- 100%, auto-cue, nahtlose loop-funktion / re-loop funktion, frame-search, instant-start durch 1-bit technologie (8-fach), playing address, 10 sekunden anti shock memory, elapsed/remain-zeitanzeige, sleep-schaltung, instant-playback ab cuepunkt, relay play, fader start play, digitalausgang, kopfhörerausgang mit lautstärkenregelung

we are pleased to welcome dubnoodles whose previous releases on milnor modern and rundlauf musik certainly grabbed our attention. on this ocassion, dubnoodles shows two different sides of his music: the a side is funky as hell. both tracks show highly elaborated grooves with a very pleasant shuffly jazz feel. a must for adepts of frank martiniq, akufen, treplec.., and for those who enjoy playful forward thinking grooves. the b side really gives us the shivering. it unravels extremely emotional melodies, powerful strings and intense crescendos. fans of dial and neo detroit will appreciate. all three tracks are a real blessing. as usual, we tried to pack as much amazing music as possible in this release. enjoy!

same script as with previous control voltage releases, 2 x 303, 1 x 808, 1 x 909, 2 x blokes on dial and desk duty and this time guest starring a linn lm2 for that fearsome descending snare sound. this one is a big analogue party tune that just keeps on going and is sure to put a wonky grin on a bunch of sweaty faces on a dancefloor near you this summer. also, contrary to a number of reports from a few internet record dealers who seem hell-bent on driving up the price of the first 2 control voltage 12s, they are not quite sold out a source, we havent got many left but there are a few remaining for anyone that needs them

#1 in villalobos charts!! also supported by loco dice, troy pierce, dave clarke, dan curtin, agoria, anthony collins, ben sims, laurent garnier. >fearless fun< was taken from the >wilmslow road< ep on mind your head records, grimes own label. originally released in 2004, it only got remarked by a bigger audience when ricardo put it at number 1 in his chart two years later. because the vinyl was so hard to find - but way too good to remain unknown to the masses - we decided to license it with a big shot remix on the flip. because efdemin - incontournable since his amazing self-titled debut album on dial - loved the original so much, he agreed to give it a try. the result is a huuuge dancefloor tool as you can hear. a unique package you cannot miss out on!!

remixes by motorcitysoul (stir15, lofi stereo) and lawrence (dial). big with steve bug, deetron, sebo k, laurent garnier, luca bacchetti, will saul, mathias schaffhäuser, kiki and many more..

#1 in villalobos charts!! also supported by loco dice, troy pierce, dave clarke, dan curtin, agoria, anthony collins, ben sims, laurent garnier. >fearless fun< was taken from the >wilmslow road< ep on mind your head records, grimes own label. originally released in 2004, it only got remarked by a bigger audience when ricardo put it at number 1 in his chart two years later. because the vinyl was so hard to find - but way too good to remain unknown to the masses - we decided to license it with a big shot remix on the flip. because efdemin - incontournable since his amazing self-titled debut album on dial - loved the original so much, he agreed to give it a try. the result is a huuuge dancefloor tool as you can hear. a unique package you cannot miss out on!!

full support from 2000 and one, karotte, sebo k, tobi neumann, adultnapper, jamie jones and more.. beautiful deep detroit tech music !!have you ever experienced the empty spaces of ghost city detroit? they inspired sten aka lawrence to this hypnotic 12inch- three versions of >squares<. the deep techtunes can be regarded as an hommage to early derrick may tracks, heath brunner and all detroit techno bunch from back to now. functional grooves from the roland machines on a melodic soundcarpet plus the mighty detroit string section- this one is made to dance, eyes closed, the heart open. peter m. kersten aka lawrence / sten launched the dial label in 2000 together with his flat mate and dj friend carsten jost

finest detroitish remixes by sten (dial,smallville) and vince watson (planet e, delsin)

da wo dial auf detroit setzt, nimmt sich kalk pets den klassischen house & funk zur brust. gelungene remix platte, die grooved, als gäbe es kein morgen. mit mixen von pink alert, chica paula & tobias den man auch als teil von nsi oder sieg über die sonne kennt

>after his very well acclaimed debut on orphanear with >jujuy&salta< and his impelling and chartbreaking remix for tocotronics latest 12 >imitationen<, pawel is back with >gabriel< on orphanear. both tracks have it in oneself to provide the autumn soundtrack for deep and dark house loving clubs all over the globe. the a-side with >gabriel< mixes classic house-strings with some xylophone and bell-sounds rather known from hamburgs scene around dial and smallville records. these elements built up in beautiful layers to culminate in a furious rather ironic break. the b-side with >early bird< begins with an airy beat that brings pawels 2004 vocalhouse lover >grab it< back to mind. after the softer intro the track mutates into a synthspiral which home has already been defined by pawels 12 >ceramic<. some abandoned industrial city in the north of the united states. a timeless record.<

here comes andreas heiszenberger (ware/normoton) with what seems like a requiem to a past love. the track is moody, twisted, dubby and full of intense ambivalent emotions, from love to hate and from pop to abstraction. then comes nass aka geiger (firm/teile/kindish) to give the original the treatment and what a treatment! surely more effective than your post-depression counselor, nass goes for a dub techno oddissey that will make hardwax enthusiasts drop their prozac prescription. on the flip side one of the men of the year, mr. efdemin (dial / liebe*detail / curle) comes with the definitive solution: go deep, then stand up and dance. efdemin presents us with a work of love, an unmistaken hommage to the sound of berlin. to finalise, andreas heiszenberger goes for the traditional medicine to relieve any heartache: deep house with a nod to lowtec, theo parrish and the dial ensemble. a truly perfect moment

disco, house, detroit & minimal sind antonellis referenzen. mal mit einem aufgeregten piano unterlegt, mal herrlich deep im dial-schen sinne. >i can boogie, boogie, woogie all night long....<

finest deep detroitish spacin techhouse mover by sian (pokerflat) !! including efdemin (dial) remix. earlier suppport comes from 2000 and one, italoboyz and jamie jones

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

tony blunt presents the first ep in the black series on dpress industries, a limited series of three ep in which the barcelonian artist puts together the very best of his repertoire. tony blends a perfect combination of melodic techno and detroit style, in which the basslines, pads and chords are the catalysts in an explosive mixture of rhythm and sound. the series starts with this ep of 4 cuts featuring the talents of the very special guest soultek (echospace, souldubsounds, usa) who provides two completely new and extraordinary versions of the track city rain, along the lines of his previous productions as echospace. this is an amazing job of liquid and deep techno with an emotive feeling influenced by the dub techno masters like deepchord, basic channel, maurizio…cv313 mix is a very deep dub-techno masterpiece rethought and reshaped in echospace, detroit while soultek mix reshaped & reformed by steven hitchell in chicago is a funky minimal techno tool. watch out for the upcoming releases and remixes by pantha du prince (dial) and brian aneurysm (iron box music).

pawel, also known for his melancholic and deeply emotional songwriter skills as turner on ladomat and mute, follows his path of minimal post-detroit influenced tracks recently heard on his dial release >ceramics<. having released 3 12inches on dial records as pawel so far, >jujuy&salta< marks a step on new ground, by starting his own label. orphanear is meant to be a open playground for both the pawel and turner releases, as well as for old and new friends, not only in the dance-spectrum. >jujuy< starts of with a slowed down, dark and bouncing synth line, and later on sound as if sähkö had moved to la and invited us all. >salta< turns up the velocity slightly and deliberately evolves into one of the sweetest and hypnotic detroit affine tracks in the recent past! played by dj koze & chloe

labelbleu records proudly present their first release. wan 0 >bikini< belgium based wan o aka philip morgan lewis & laurent acoustix mixes vocals, twisted organic means and catchy melodies to produce music and videos! the first of these tracks >bikini< brings out a fresh new organic sound with a funky twist. the kick drum used by wan 0 on this, is a cushion from the luxor bazaar, the snare drum is a staple machine and many funny toys and props were used to record >bikini<. philip’s funky vocals and the fresh attitude of the track create a unique and catchy atmosphere already supported by many dj’s around the world. the video shot live at trafik studio shows many of their recording techniques and their true ability to entertain! the thomas sari >raise the dial< remix brings out a deep funky elektro sound speedin’ up a bit and adding versatility to this first release

slamming hypnotic techhouse action from henry (known from his classic releases on container, harthouse , mfs, superstition...) and denis karimani aka remute. dominated by a sustaining synth-chord, percussive beats and a funky bassline-bit this tune sounds absolutely fresh... incl superb efdemin remix (dial, liebe*detail...)

after his productions for labels like dial, num, traum, ladomat or liebe*detail denis karimani aka remute surprises the audience again with another unconventional masterpiece. between the essence of minimal and the deepness of detroit, >realtime island< can be regarded as the first smallville superhit. a detroitish chord sequence rises slowly up to explode but keeps its deep secret. karimani s best friend and ravemate ndru (liebe*detail, perspectiv) translates the unique musical language of the original into minimal- his remix got the kind of hypnotic bassline you might miss in the minimal world so often.. the 12inch ends with a classical karimani pumping deeptechno tune straight in your feet... played by anja schneider, mike shannon...

schmachtende vocals und ein gemisch aus neo trance, dial sche deepness & acid house lassen aufhorchen nach ihren releases auf mosaic, trapez, 3rd floor und tic tac toe

with the release of >now is the winter of our discotheque< the band have surely stood out of the shadows and are now destined to set up more permanent camp in clubs all over the country. the triple a sided single is completed with xvectors blistering cover of jamie principle chicago classic >your love< and their own >dial all the nines< making this 12inch a must have for all fans of (dirty) disco

ufo presents u the first compilation of a various artists series- remute and ulysses offers us two delicious pieces of cake with cream ontop... remute aka denis karimani, well known from his productions on liebe/detail, dial, ladomat, trapez and areal serves a dark, swinging track.developing it from a rolling groove in a very intuitive and spontaneous way, it clearly shows the experience denis gained from uncountable live sets. without falling back on obvious hooks, he manages perfectly to keep up the tension all the way through.

after the very well received curle 001 - supported by sasha, monika kruse, miss kittin, mathias kaden, âme, troy pierce, shinedoe, ripperton, michel de hey and jesse somfay amongst others - here is the second split ep on this young belgian label. this time the a-side is being taken care of by reynold, owner of trenton records and one half of duplex 100. with >space wall< he delivers a superb powerfull and floating track that will certainly appeal to the progressive techno lovers. denis karimani (aka remute) from liebe detail and dial fame honours the b-side with probably his best work to date. >character melting pot< is an ultra funky minimal techno track for peaktime purposes. party

ungeheuer guter & deeper techno aus griechenland. hier ein bisschen dial, dort ein bisschen freude am tanzen und doch ganz auf eigenen beinen stehend. unsere empfehlung

nicht zu weit von einer dial-artigen soundästhetik entfernt, schieben karat mit dolibox einen zarten newcomer ins feld. 4 tracks zwischen melancho-techno und shoegazer-sound

a beautiful electronic folk journey, a strangely interwoven thing, an acoustic spinning, a patchwork rug made of fictional stories and pseudo-scientific hoaxes in a time obsessed by authenticity. this 12inch comes with 3 versions/remixes of dial rec. label mates carsten jost, efdemin, pantha du prince and raboisen.

driving electro tracks by this cool german producer duo nitsch & gleinser (voltage musique, pocketgame) including two remute (weave, areal, dial, trapez) remixes (sb)

ein meisterwerk der psychedelischen technokunst.. so intensiv wie dial, so groovy wie steve bug.. genial.. nn

excellent minimal and pumpin techhouse tracks with sten remix (dial rec)!!

hamburgs sentimental rocker nummer 1 zwischen sender-typischer, kühl-minimalistischer techno-emphase und flächen geschwängerter deeper dial-schwermütigkeit

well-established outfit,detroit techno meets latin and disco influences galore in a variety of guises, with tracks for the floor and the late night session..for fans of dj ronaldo sounds..

when it falls is a timelessly classic album from a seminal electronic band and the essential soundtrack to any laidback summer chilling.

after more than three years of silence as a producer, efdemin a.k.a phillip sollmann returns with a striking hybrid concept that merges the album format with the -continuous dj mix- format, presenting completely new material in a seamless manner. this cd-mix, named na•f, officially reinstates his label of the same name and is a sprawling tour of inner space featuring 19 distinct tracks from fellow producers (e.g. margaret dygas, steve bicknell, jeroen search, pom pom, marco shuttle or gunnar haslam) along with an additional ten that feature efdemin himself (either as soloist or collaborator). the release condenses his decade-long dj-ing journey and evolution as a producer into a single potent elixir of contemporary techno. owing to his additional projects, such as collaborating with pan artist konrad sprenger on a modular organ system to be installed in museums, or scoring for a neue musik ensemble, the berlin-based efdemin is known as hiker between the worlds . his regular stints at berghain or panoramabar, his partnership with established labels (e.g. ostgut ton, dial, sushitech) and the leadership of his own na•f imprint all demonstrate that since more than a decade.

die neue fabric-ausgabe kommt von roman flŸgel, einem seit Ÿber 20 jahren elementaren mitglied der frankfurter elektronic-szene, der unter aliases wie alter ego, acid jesus oder sensorama auf labels wie playhouse, ongaku, klang elektronik, cocoon oder dial (club-)musikgeschichte geschrieben hat. und auch sein fabric-mix ist geprŠgt durch seinen langjŠhrigen, charakteristischen stil: abstrakt, idiosynkratisch und dicht, dabei aber immer warm und einladend.

d‰m-funk is the kind of guy who seems like he d make great company: laid-back, affable, personable. but to truly get the guy, to really understand him, is to know a deep love of music like no other. dam s contribution to the dj-kicks series gives you an opportunity to do just that. it s a snapshot view into the mind of the pioneer of modern-funk musicÉ dj-kicks invites you to get to know the man behind the shades. dam makes a lifetime of digging and absorbing music that feels as laid-back as the santa ana breeze. years ago, he coined the term modern funk to give context to his music. the elements of the synth-heavy and multi-layered style are gloriously displayed on dj-kicks. -modern-funk is a combination of all the sounds on the mix,- he explains. -funk, boogie, electro, house, modern-soul, ambient tonesÉ a push and pull of nostalgia and progressiveness...- at a satisfying 19 songs, d‰m-funk s dj-kicks lets grooves breathe. this is a mix to happily get lost within, a document in vibe. unexpected contemporary joints mingle with lost gems from unlikely places. the exclusive d‰m-funk production -believer- makes its debut on dj-kicks, an extensive instrumental composition that on it s own could only be classified as signature modern-funk. the mix also includes dam s excellent collaboration with nite jewel, as nite-funk, on -can u read me?-

das bristoler duo kahn & neek, betreiber des bandulu labels, prŠsentieren einen 74-minŸtigen dubstep/grime-mix aus eigenproduktionen, kollabos, remixes und heavyweight-selektionen von the bug, mungo s hi-fi, commodo und gantz, musik der young echo collectivekŸnstler jabu, chester giles, rider shafique und manonmars, sowie insgesamt 14 unveršffentlichte und exklusive tracks, u.a. von ishan sound, gemmy und lamont. den abschluss bildet kode9 & spaceapes zeitlose ghost town version als statement zur aktuellen unruhe in der londoner nachtleben und clubszene.

drei jahre nach der veršffentlichtung ihres selbstbetitelten debŸtalbums meldet sich factory floor nun mit einem neuen werk zurŸck. Ò25 25Ó hei§t das zweite album des elektro-duos und wird am 19.08.2016 via dfa erscheinen. nik void und gabriel gurnsey, die beiden kšpfe hinter factory floor, haben das neue material in eigenregie produziert, gemixt wurde Ò25 25Ó von david wrench (fka twigs, caribou)

king dj lŠdt auf let me see you feel zu einer musikalischen reise der besonderen art ein. mit seiner einzigartigen mischung aus disco, funk und house erobert er die floors der welt und die herzen der fans

incl. bonus mix cd! following on from the success of >dirty old hip hop< marc returns with a new visioneers record hipology. hipology is a collage of some of my personal influences as a dj/producer growing up listening to hip hop a real eclectic mix of breaks, beats, soul, jazz, and freaky squeaks and not a sampler in sight. visioneers is about revisiting my love for hip hop, what is was and what it is the musical influences and the culture. hipology will be released on bbe records late spring and features guest spots from john robinson, trac & baron, notes to self, luke parkhouse & the ariya horns!

unter dem titel listen to the music caltone 1966-1969 erscheint eine wunderbare zusammenstellung mit 21 rocksteady-perlen aus den jahren 1966-1969. erhŠltlich als cd mit einem informativen booklet und extra pappschuber, sowie als doppel-vinyl (inklusive abdruck der liner notes auf der coverrŸckseite) mit dem gŸtesiegel pressure sounds!

mit traumwandlerischer sicherheit schlŠgt lawrence einen bogen Ÿber 16 jahre gelebter clubgeschichte, ohne dabei das akustische hier und jetzt aus dem auge zu verlieren oder auch nur eine spur in anachronistischer nostalgieseligkeit zu verfallen. stattdessen gehen unter seinen sensiblen hŠnden meilensteine des minimierten deep house wie >forever monna< von chez damier, ron trent und stacey pullen (1995) oder der 99er clubhit >overcome< von thomas melchior/baby ford mit kontemporŠren intensiven detroit-techno-hommagen wie smallpeople & raus >life aquatic<, delano smiths >my life< oder pigons traumhafter >koto<-dubtech-romanze von der 10 jahre dial-compilation auf wunderbare weise zusammen. au§erdem mit dabei sind so bekannte namen wie aril brikha, isolŽe, das ifach collective und robert hood, bevor roman flŸgels auf duran durans >save a prayer< basierendes meisterwerk >brian le bon< und das kristalline >oi< von plaids klassikeralbum >not for threes< (warp) den wehmŸtigen schlussakkord setzen. lawrences mix atmet hier jedenfalls die gelassenheit eines lichtdurchfluteten sonntagmorgens zwischen modernistischer gro§stadt und waldlichtung und gibt so seinem globalen kŸnstlerischen ansatz die passende dimension

with temporary pleasure smd is creating the first ever-human augmented reality music and visuals mixer. >>augmented reality (ar) is a new medium, which mixes real-world and computer-generated images (virtual reality), making it look like virtual objects exist in the real world. this installation reflects the concepts behind the record - its brief, fun, and how could we resist the chance to augment the reality of the general public? its a technology that the people are going to love!<< smd says.

echt schicke house collection, in edler silber cd-box.